yahoo! TV'Drunk History': Emmy-nominated production designer on creating 'Hamilton' episode

The hilarity of Drunk History isn’t just hearing a celebrity drunkenly recount a tale from the past, but watching their words match up to the reenactment as well. Production designer Chloe Arbiture received an Emmy nomination for her work in the “Hamilton” episode

DeadlineHow ‘Feud’ Composer Mac Quayle Mined New Territory With ’60s Orchestral Score

Leaving an indelible mark on USA’s Mr. Robot and a string of Ryan Murphy series—most notably, his two American stories—composer Mac Quayle met his match when approached for the prolific creator’s latest project, Feud: Bette and Joan.

New York Magazine - vulture: How Marvel’s The Defenders Designed Its Superhero Costumes

One of the great strengths of Marvel Television’s output on Netflix has been its aesthetic variety. Though all of the stories are united by their New York setting and street-level focus, they’ve so far been easy to distinguish from one another in terms of their look. Key to conveying that imagery is the costuming. Enter Stephanie Maslansky.


Newsweek: HOW 'GAME OF THRONES' KILLS PEOPLE BY DRAGON FIRE WITHOUT ACTUAL DRAGONS, EXPLAINED

Game of Thrones’ big battle scenes are becoming more reliant on Daenerys Targaryen’s (Emilia Clarke) dragons as the series winds down. So how do they do it? On set, a stick with a ball on the end stands in for Drogon, according to cinematographer Robert McLachlan

variety: ‘Saturday Night Live’ Production Designer on Planning for Live TV and That Sean Spicer Podium

On Oct. 11, 1975, when “Saturday Night Live” first aired on NBC from Studio 8H in Manhattan’s RCA Building, with George Carlin as host and musical guests Billy Preston and Janis Ian, Eugene Lee was the production designer. Lee spoke to Variety about his long tenure at “SNL,” what it takes to design for live TV and the Sean Spicer podium.

den of geek: Blood Drive Composer Michael Gatt Grinds Out Hellishly Good Music

Blood Drive is a show that re-invents itself each week. At each stop along the cross-country race in which the cars run on human blood, there’s a different story in a completely new sub-genre of grindhouse horror and action. “It’s a composer’s dream for a show because it is like scoring a standalone film each week,” Gatt says. 


abc news live stream - inside marvel: Making the Defenders look bruised, bloody and aged

Inside Marvel's The Defenders on Netflix with costume designer, Stephanie Maslansky, makeup department head, Sarit Klein, and hair department head, Pamela May.

observer: ‘Annabelle: Creation’ Cinematographer Teases New Horror in Prequel

Cinematography, at its core, is the art of making motion pictures. But as an art form, it’s surprisingly more like dancing than photography. That’s where Maxime Alexandre, the cinematographer on Annabelle: Creation, comes into play. It’s his job not only to help capture the movie, but to tell a silent story entirely with visuals.

entertainment weekly: This Is Us: Grab your tissues for the soundtrack

Curated by This Is Us showrunner Dan Fogelman, the soundtrack contains 20 songs, many of which fans will remember from accompanying the show’s most emotional moments. The soundtrack will also include “This Is Us Score Suite” by the show's composer, Siddhartha Khosla.


Fashionista: HILLARY CLINTON, 'SEINFELD' AND OLD DELIA'S CATALOGS INSPIRED THE '90S-ERA COSTUMES IN JENNY SLATE'S NEW MOVIE, 'LANDLINE'

"No one looked like anything that would exist beyond 1995," says costume designer Elisabeth Vastola. To develop the character of each Jacobs family member, Vastola assigned and highlighted specific '90s fashion trends that will definitely give you the warm and fuzzies. 

GQ Style: Meet Eugene Lee, the Crazy Stylish 78-Year-Old Man Who Literally Built SNL

The man is a myth and a legend within the walls of 30 Rockefeller Plaza. Mr. Lee has been the production designer at SNL since the show premiered in 1975, and he’s had his hand in practically every sketch, musical performance, and iconic monologue stage set since then.

The Washington Post: How a Smithsonian kids’ class influenced the look of ‘Wonder Woman’ and ‘Game of Thrones’

Today, Matthew Jensen is an A-list cinematographer who has contributed award-winning work to two seasons of HBO’s “Game of Thrones” (the new season begins Sunday), as well as such other premium-cable hit series as “Ray Donovan” and “True Blood.”


The Marvel report: Breaking Down The Music - Let’s Get Hyped For Runaways

Marvel’s The Runaways should be kicking up its campaign soon – bringing the teenage superheroes to the screen at last. While we have yet to see what the characters will look like or how they’ll fit into the Marvel Universe, Marvel is already setting the tone of the story by choosing one hell of a composer – Siddhartha Khosla.

huffington Post: Exclusive: Hear 2 Tracks By Composer Michael Gatt From Tonight’s Episode Of ‘Blood Drive’

To get an inside glimpse of how Michael went about creating these tracks he also shared the below behind the scenes video and says, “I really enjoyed scoring on this episode because at this point in the series we really know the characters and the turns they take are both at times hilarious and demented, a.k.a. BLOOD DRIVE!

The Geek Speak Show: SDCC 2017 - Mac Quayle

The Geek Speak Show's Henry San Miguel talks to composer Mac Quayle at San Diego Comic Con 2


where to watch: Head of The Defenders Makeup Department on Juggling Four Marvel Superheroes

The Netflix residents of the Marvel Universe are all coming together for the first time on screen to team up as The Defenders. Makeup department head Sarit Klein had an intimate knowledge of the show’s characters going into production. She also worked as makeup head of previous installments Daredevil, Jessica Jones, Luke Cage, and Iron Fist.

popcorn talk - on the fly filmmaking: Chloe Arbiture - Production designer

Host & Producer Marielou Mandl interviews Production Designer, Chloe Arbiture! Chloe has worked on Problematic with Moshe Kasher, Drunk History, Miss 2059, Thrill Ride, Starship Icarus, Battleground.

Variety 411: The Role Of A Below-The-Line Agent: An Interview With Maureen Toth

Maureen Toth is familiar with the term “multi-threat.”  Toth is also a lead agent at Eastern Talent Agency, a company devoted to below-the-line talent. Their roster includes talent such as Emmy-winning cinematographer Michael Slovis , Oscar-nominated and Eddie winning editor Kevin Tent and Emmy nominated and ADG winner Gary Kordan.


indiewire: ‘Blood Drive’ Exclusive Video: Take a Behind-the-Scenes Look at the Score for ‘A Fistful of Blood’

Described as “a blood-driven Spaghetti Western,” episode eight of “Blood Drive” features a soundtrack befitting its genre roots. In a new video shared exclusively with Indiewire, composer Michael Gatt, singer Jessica Rotter, and others offer a behind-the-scenes look at the music for “A Fistful of Blood.” 

limelight magazine: Stephan Schütze's music was a score for an Australian industry

Stephan Schütze has worn many hats in the music world. He is now a composer, a sound designer, a location recordist and has produced SFX libraries that are used globally by companies such as Disney, Skywalker Sound, Warner Brothers, EA and Activision.

where to watch: Emmy Nominated Planet Earth II Composers on Scoring the Most Interesting Animals in the World

Ten years after the original series aired, BBC returns to explore our natural world in Planet Earth II. The show’s dynamic score earned composers Jasha Klebe and Jacob Shea of Bleeding Fingers Music an Emmy nomination.


Variety: Music from ‘Mr. Robot,’ ‘This Is Us,’ ‘Homeland’ Gets Top Billing at Television Academy ConcerT

Mac Quayle played keyboards in his own music from “Feud” and “Mr. Robot;” Jeff Russo demonstrated his compositional versatility, conducting musically diverse themes from “Legion,” “Fargo” and “The Night Of';” Sean Callery’s jazz rendition of his “Homeland” theme was an early high point, Sidd Khosla's Stax-style soul number from “This Is Us” earned a standing ovation; Nathan Barr may have won the “most original musical concept;” TV Academy music governors Michael A. Levine and Rickey Minor, who conceived the evening, also made on-stage appearances

The wall street journal: Peak TV’s New Hot Profession: The Music Supervisor

Jen Ross, music supervisor for the hip-hop drama "Empire," submitted a song-packed episode that bounces among Eminem, Thelonious Monk and an original tune that addressed gun violence. In one scene record-label bosses meet with mogul Lucious Lyon, played by Terrence Howard.

 

Business Insider: What it's like working in TV today, according to a cinematographer who's filmed 'Fargo' and 'Legion'

Cinematographer Craig Wrobleski recently told Business Insider what it's like shooting a series like "Fargo" given its rich history, the inspiration for the visually-charged "Legion," and what it's like working as a cinematographer in television today. 


DEADLINE: ‘The Night Of’ & ‘Legion’ Composer Jeff Russo On Channeling “Chaos And Madness” And Pure American Tragedy

Between two critically lauded FX dramas—Noah Hawley’s Fargo and Legion—the network’s anticipated Snowfall and potent HBO miniseries The Night Of, two-time Emmy nominee Jeff Russo may be one of the busiest composers working in television. 

new york magazine - vulture: How Wonder Woman  Brought Color Back to the DC Universe

When cinematographer Matthew Jensen first met with director Patty Jenkins to talk about the visual influence that was at the top of her mind for Wonder Woman, he was taken aback. The film was to be set during World War I, but she didn’t show him a battlefield photo. It was going to continue the mythology of the so-called DC Extended Universe.

The Hollywood Reporter: How 'SNL' Gave "Spicey" a Podium That Could Be Used As a Weapon

Eugene Lee has been a production designer on every season of NBC’s SNL. This time around, his work has included a number of political sets, including this one of the White House Press Briefing Room that has featured in a series of segments with  Melissa McCarthy as Press Secretary Sean Spicer.


BILLBOARD Emmy Winner Sean Callery on Composing the Perfect Theme For 'Jessica Jones', 'Designated Survivor' or More

There’s a good chance that Sean Callery comes into your living room almost every night. As one of television’s top composers, he wrote the theme and scores for Designated Survivor, Homeland, Elementary and Jessica Jones. 

Deadline: ‘Westworld’ DP Robert McLachlan Compares Series With ‘Game Of Thrones’: “Westworld’s Harder"

Game of Thrones may be out of the awards conversation this year, but never mind that. Wrapping up his work on the series’ new season in December, Emmy-nominated cinematographer Robert McLachlan has kept himself plenty busy, between Ray Donovan and another HBO smash, Westworld.

architectural Digest:  6 Ways The Wizard of Lies  Visually Recreates Bernie Madoff's Downfall

It’s been nearly ten years since the name Bernie Madoff went from being associated with wealth and success to becoming synonymous with deceit and corruption.Oscar-nominated production designer Laurence Bennett took AD through the process of recreating the world of Bernie Madoff.


THE HOLLYWOOD REPORTER: EMMYS: TV's top composers reveal the serendipity of found sounds 

Mac Quayle knew going into FX's Feud — the 1960s-set series about Joan Crawford and Bette Davis — that he had to go with music that evoked old Hollywood. "Unlike other scores I've worked on, this wasn't really a situation where I could experiment with unusual sounds," he says.

awards Daily: Composers Amin Bhatia & Ari Posner Partner on Netflix’s ‘Anne’

“Functionally, it broke down to one of two things we either had to do. We had to either portray the landscape and the beauty of the traveling scenes and create a musical tapestry that supports that beauty,” Amin Bhatia explained. 

THE HOLLYWOOD REPORTER: Emmys: Cinematographers Reveal Secrets Behind the SCENES

To capture the detachment of the Russian spies played by Matthew Rhys and Keri Russell, Daniel Stoloff used framing and camera placement. "Within the safe house, we present the frame graphically, often from a distance, through doorways, archways and windows," he says.


FashionistaHOW THE 'UNDERGROUND' COSTUME DESIGNER HELPS THE SHOW'S ENSLAVED CHARACTERS HIDE IN PLAIN SIGHT

How could someone use clothing to retell the story of slaves who resisted? Karyn Wagner, costume designer for the WGN TV series "Underground," faced this very challenge: reconstructing the experience of enslaved men and women who resisted their condition as chattel by escaping on the Underground Railroad.

VARIETY: ‘Pirates of the Caribbean 5’: Behind-the-Scenes of a Scoring Session With Geoff ZanellI

“Pirates of the Caribbean” gets a new composer, Geoff Zanelli, with the fifth installment of the franchise, “Dead Men Tell No Tales.” Variety‘s Andrew Barker takes you behind the scenes at a scoring session with Zanelli.

Collider: ‘Fargo’ & ‘Legion’ Cinematographer Craig Wrobleski on Coen Brothers Nods, Noah Hawley, and More

Recently I got the chance to speak with Wrobleski about his work on both Fargoand Legion, crafting nods to the Coen Brothers and cinematography great Roger Deakins, the specific references in Fargo Season 3, and more.


THE HOllywood Reporter:  'Wonder Woman' Cinematographer on Its Biggest Battles and Heartbreaking Moments

In a conversation with Heat Vision, cinematographer Matthew Jensen breaks down the hard-fought path to getting those scenes right ("It is just mayhem") and also reveals secrets to shooting Steve Trevor's (Chris Pine) comical bath scene.

Billboard: How Music Supervisors Landed An Emmy Category To Call Their Own

For the first time in the Emmy Awards' nearly 70-year history, music supervisors will be recognized for the artistic role they play in crafting the tone of TV programs. 7 Supervisors To Watch - Jen Ross, Empire: Fox’s drama about a rap label remains a creative leader for the music-immersive show’s use of both licensed source cues and strong original music performed by the main characters.

ABC News Live Stream:  Behind the scenes of Tony-nominated 'The Great Comet'

ABC News' Nicole Phillip gets an inside look at the costume design for "Natasha, Pierre and The Great Comet of 1812" with Tony-winning costume designer, Paloma Young.


GOLD DERBY: Society of Composers and Lyricists hosts Hollywood panel for composers of ‘Fargo,’ ‘Feud,’ ‘This Is Us,’ and ’24: Legacy’

The SCL hosted a panel discussion with composers Sean Callery (“24: Legacy”), Siddhartha Khosla (“This Is Us”), Mac Quayle (“Feud: Bette and Joan” and “American Horror Story: Roanoke”), and Jeff Russo (“Fargo” and “Legion”). Gold Derby moderated the event at the Linwood Dunn Theater in Hollywood that was organized by 20th Century Fox TV, FX and Impact24 PR.

broadway box: Tony Winner David Gallo Shares 12 Secrets & Stories about His Tony-Nominated Jitney Set

Tony and Emmy Award-winning set designer David Gallo has more than 30 Broadway shows under his belt. He has the distinction of working with August Wilson. David designed the premiere productions of Wilson’s later works and the off-Broadway and Broadway productions of Jitney—for which is nominated for a 2017 Tony Award.

theatre Nerds: Interview With Tony-Nominated Lighting Designer Japhy Weideman

"In the early stage of design, I always begin with reading the text and listening to the music prior to having a meeting with a director or other designers. It’s very important to get one’s own impression of the piece before being influenced by others. In some projects, I am brought in before a set design has been created, and in others, there is already a design in process. 


new york magazine - vulture: Watch Brian Tyree Henry Sing a This Is Us Original Song for Emmy Voters

The evening was capped with musical performances at Le Jardin by the show’s composer Siddhartha Khosla, Moore, who covered Linda Ronstadt’s “Willin’,” and guest star Brian Tyree Henry (Atlanta) who played a musician and cousin of William (Ron Cephas Jones) in the road-trip episode “Memphis.”

Awards Circuit: ‘Underground’ Costume Designer Karyn Wagner Talks Southern Costuming

One show that benefited greatly from this was “Underground,” a series brought to the small screen by WGN. The story follows a group of slaves who have chosen to escape their plantation, and the process they went through to achieve freedom.

movie pilotHere's How The Cleverly Designed Set Of '13 Reasons' Made You More Involved In Hannah's Story

In charge of bringing that last element to life was production designer Diane Lederman, whose work you may be familiar with from series such as The Leftovers and The Americans. Speaking to Movie Pilot, Diane discussed a little about the process she and her team went through to bring Hannah and Clay's world to life.


VARIETY: How ‘The Americans’ Orchestrated This Season’s Key Interrogation Scene

“I don’t get to work directly with Nathan as much as I wish I did, but I was so impressed with these very deliberate music choices,” Green says. “There are these music choices just gently easing in at a few moments of revelation. 

huffington postComposer Bryce Jacobs Goes To “Paradise” With Latest Film Score

Having worked with the legendary composer Hans Zimmer for over five years on films such as Rush and Pirates of the Caribbean: On Stranger Tides and more recently scored films such as Bad Karma, composer Bryce Jacobs was more than equipped when he was presented the opportunity to score Sanjeev Sirpal’s feature film, Random Tropical Paradise, now out on VOD.

vanity FairS.N.L.: How Conan O’Brien Saved Melissa McCarthy’s Sean Spicer Easter Skit

There are two reasons that Eugene Lee, Saturday Night Live’s longtime production designer, could not personally oversee preparations for Melissa McCarthy’s hilarious return to the sketch show this past weekend. First of all, she was filming all the way across the country in Los Angeles. And secondly?


Gold Derby: Kris Bowers (‘Dear White People’ composer): The show is ‘speaking to a lot of people’s truths’

“It’s just speaking to a lot of people’s truths,” divulges composer Kris Bowers during our recent webcam chat when asked about the success of “Dear White People.” Created by Justin Simien, this Netflix original centers on a diverse group of students navigating various forms of racial discrimination at a predominantly white college.

PitchforkNew “Mr. Robot” Season 2 Soundtrack Announced

A new soundtrack for “Mr. Robot” has been announced. Mr. Robot V.3 features composer Mac Quayle’s score for the show’s second season. It’s out digitally on June 9 via Lakeshore Records. A special vinyl LP package is due later this year via Invada Records (in partnership with Lakeshore). 

Town & Country: How The Wizard of Lies  Captured Bernie Madoff's World—And His Downfall

How do you bring to life a lost world of elite prestige—and the fall from grace of a master criminal? In HBO's new movie The Wizard of Lies, production designer Laurence Bennett, perhaps best known for his work on The Artist was tasked with just that: recreating the sudden downfall of Bernie Maddoff, arguably the biggest thief in American history.


varietyCinematographers Take Risks on TV With Moody Images

Rob McLachlan, a contributor to HBO’s “Game of Thrones” and “Westworld,” and Showtime’s “Ray Donovan,” says digital cameras are another major factor in TV pictures. “When I first shot HD for TV back around 2002, I realized that a monitor on the set showing precisely what you’re recording made it possible to safely go a lot darker,” he says.

paste: An Interview with Composer Jeff Russo of What Remains of Edith Finch

If you’re a fan of hit television shows like FX’s Legion or Fargo you’ve definitely heard the sweeping orchestrations of composer Jeff Russo. Very recently however, Russo made his first foray into video game music after he composed the score for the haunting indie game, What Remains of Edith Finch

Spirit of 608: How Clothes Get On TV With Hit Costume Designer & Vegan Fashion Advocate Cynthia Summers

On this week's show, I talk to Cynthia Summers about her journey into costume design and onto the sets on hit television shows that have captured audiences on Bravo, Netflix, Showtime and many others. Along the way, Cynthia's decision to pursue a cruelty-free lifestyle led her to explore sustainable, ethical and vegan fashion.


buzzfeedTop 4 Emmy Composer Contenders You Should Know About

Planet Earth 2: Combine this with David Attenborough’s luscious voice and an orchestral masterpiece from a certain Mr. Hans Zimmer and his two protoges Jacob Shea and Jasha Klebe of Bleeding Fingers Music, and you get a product that, if not sweeping the Emmys, will certainly do well. Certainly, the Earth has enjoyed this trio's efforts, with the infamous Iguana vs. Snakes scene going viral and carrying their musical worldwide.

VarietyMusic Supervisors Celebrate Finally Winning Recognition From Creative Arts Emmys

“There are so many moving pieces,” says Jen Ross, music supervisor for “Empire” and “Star.” “Not only do you have to creatively hit the mark, you also have to hit it from a functional perspective, and you’re doing it within a TV timeframe,” she notes. Sometimes a song must be written, demo’d, recorded by the actor, and then filmed, often in just a matter of a few days.

film music reporter: TV Academy to Host ‘Words + Music – A Concert Celebrating Music Written for TV’

Words + Music will feature the live performance of original songs and scores from the composers of top shows from the past TV season. Participating composers include Mac Quayle (Mr. Robot), Siddhartha Khosla (This Is Us), Jeff Russo (Fargo, The Night Of), Sean Callery (Homeland), Nathan Barr (The Americans) and Pedro Bromfman (Narcos).


abc news live stream: 'Behind the Lens': Up close with an Academy Award-winning makeup artist 

ABC News' Lesley Messer introduces us to Oscar-nominated makeup artist Joel Harlow who demonstrates how he creates his characters using makeup and prosthetics. 

The Hollywood Reporter'Guardians of the Galaxy 2' Cinematographer on How Chris Pratt Fixed the Ending

If Guardians of the Galaxy Vol. 2 felt more spontaneous than the average superhero movie, there's a reason for that. Cinematographer Henry Braham worked closely with director James Gunn to perfect a shooting style that would look big — while also giving the actors room to explore the material without having a camera in their faces.

BloombergThe Pink Shirt, a Preppy Staple, Gets New Life Thanks to Millennials

The costume designer for the new production is Clint Ramos. "We auditioned about seven shirts," Ramos said, naming J. Crew, Banana Republic, Charles Tyrwhitt, a couple of vintage Brooks Brothers, and also Paul Stuart, which was "too pink" for this staging, with actor Corey Hawkins in the key role. Ramos ultimately settled on a current Brooks Brothers model. "Relaxed fit," he specified.


TV Line13 Reasons Why  Production Designer: 13 Secrets of the Netflix Drama's Sets

Whether production designer Diane Lederman is tasked with recreating a room from a specific era — like she did on FX’s The Americans — or a contemporary teenager’s bedroom — like she does several times over in Netflix’s 13 Reasons Why, there’s one constant: “I do extensive amounts of research,” she tells TVLine.

Awards Daily: Emmy Winner Mac Quayle Discusses Scoring ‘Mr. Robot’ Versus FX’s ‘Feud’

Mac Quayle is one of TV’s busiest composers. Most recently, you’ve heard his work on FX’s Feud: Bette and Joan, but last year he won his first Emmy for Outstanding Music Composition for a Series (Original Dramatic Score) for USA Network’s Mr. Robot. Two very different scores for two very different shows.

forbes: Shooting "The Man In The High Castle" In 4K Changed Filmmaker's Approach

Man-made crystals only atoms wide are making a difference in how we experience movies and TV shows at home.Gonzalo Amat, director of photography for the Amazon series “The Man in the High Castle,” compares the 4K experience to listening to a piece of music, in which the delivery medium makes all the difference.


variety‘The Son’s’ Score Helps AMC Series Span the Centuries, Define Characters

Noting the importance the score would have in ushering the story of the McCullough family through the numerous culture clashes of the 19th and 20th centuries, he targeted the work of composer Nathan Barr, who had worked on horror-thriller “Hemlock Grove” with “The Son” writer-producer Brian McGreevy.

Screen AnarchyBehind the Camera -- An Interview with One of Hollywood's Biggest Talent Agencies

I recently chatted with Jen Caprio and Scott Benson of Eastern Talent Agency, one of the most successful agencies in Hollywood. Working with below the line talent, Jen and Scott have placed talent on shows like The Walking Dead, Mr. Robot and more! 

the audio spotlightTHE MUSIC BEHIND EMMY AWARD WINNING CHILDREN’S HOSPITAL. AN INTERVIEW WITH MATT NOVACK

The biggest question was always whether an episode would have the “regular” sound, or if we would be doing a specific parody of another show, film, or style. 


MIC'Wonder Woman' cinematographer breaks down the pressure of bringing a comic book to life

Mic spoke with (Matt) Jensen, whose credits include Fantastic Four, Chronicle, True Blood and Game of Thrones, about his experience on the set of Wonder Woman. In our conversation, Jensen discussed Jenkins' enthusiasm on the set, how Wonder Woman draws from the comics and the pressure to deliver the film fans deserve.

Vogue: On Luke Cage, A Hoodie is the new cape

When talking to costume designer Stephanie Maslansky, there are certain unavoidable questions that spring to mind. Like: What are the exact proportions of this titanic, largely bullet-proof superhero? Actor Mike Colter, who recently brought Luke Cage off the pages of Marvel’s comic books.

horror talk: Interview: Samuel Laflamme (Outlast 2's Composer)

Fresh off the horrifying heels of Outlast 2's release, which is now available on PlayStation 4, Xbox One and PC, I managed to get some time with Samuel Laflamme, the composer behind the haunting soundtracks of the Outlast series, so that I could pick his brain on composing for the scariest series I've ever had the fortune - we love scary, remember - to play.


fast companyHow Shade VFX Brought “Daredevil” And “Jessica Jones” To Life In A Tough Business

Shade is responsible for the effects on shows like Daredevil and Netflix’s forthcoming Jessica Jones, as well as massive films like Batman vs. Superman–and they’ve navigated the “high volume, low-margin” world of visual effects through some creative approaches to the business.

Marvel report: Exclusive Interview with Iron Fist Composer Trevor Morris

From scoring television to films to video games, Trevor Morris is an iron giant in the world of composing. His credits include Immortals, Olympus Has Fallen, Emerald City, Brick Mansions, The Tudors, The Admiral, Vikings, and Dragon Age. The Marvel Report got to chat with Morris about his work on Iron Fist, the transcript of which you can read below.

Women's Wear Daily:  Lynn Falconer on the Sixties Style for Horror Thriller ‘Ouija: Origin of Evil’

While costumes are a current topic of conversation they’re something that Lynn Falconer thinks about year-round. We caught up with the costume designer to discuss her approach to the period film, which movies and personalities she referenced for the leading characters, and where she goes to find her best on-screen looks.


e! news: What It's Like to Be Unreal's Costume Designer

What do Unreal, Girlfriend's Guide to Divorce and The L Word all have in common? Cynthia Summers. The life of a costume designer is foreign to most of us... so when one calls you to say she wants to take you shopping with her you say yes—immediately. Fast-forward to a week later where we met Cynthia at her go-to sourcing boutique, Switch in Bel Air, and she told us just about everything we wanted to know.

architectural digest: How a Production Designer Re-created WWII for Mel Gibson’s Hacksaw Ridge

Shooting took place in Australia, where production designer Barry Robison was tasked with re-creating WWII-era Virginia and Japan. Before shooting began, Robison and his team created a nine-by-12-foot model of the ridge and battlefield. “It also gave us in the art department the ability to really show how we would take pristine farmland and turn it into a devastated landscape.”

Electronic Musician: Interview with Charlie Clouser

I sat down with Clouser at his home studio—an impressive musical mad scientist’s laboratory outfitted with racks of recording gear, a Haken Continuum, and a wall of Eurorack modules—where we spent the afternoon talking about everything from contemporary minimalist composers to the one kick drum sample he’s been using for more than 20 years.


Yahoo!Oscar-Nominated Makeup Whiz Joel Harlow on Crafting ‘Star Trek Beyond’ Aliens, Marvel Superheroes, and Johnny Depp Disguises

For 30 years, Joel Harlow has been one of Hollywood’s premiere makeup artists, and come Oscar night, he’ll contend for his second Academy Award for his work on Star Trek Beyond, which required him to create more than 50 different alien species. 

Deadline‘Key & Peele’ Production Designer Gary Kordan On Challenging The Status Quo In Television Comedy

In a little over a decade, production designer Gary Kordan has left an indelible impression on the world of TV comedy. From his early work, to his recent efforts on the ultra mini-series Time Traveling Bong and the acclaimed sketch series Key & Peele, which recently concluded its five-season run, Kordan has worked tirelessly to bring a higher visual standard to television comedy.

Entertainment Weekly: Everything you need to know about Vin Diesel's Xander Cage fur coat

It’s been 15 years since Xander Cage (Vin Diesel) was last on screen, but in xXx: Return of Xander Cage, the character comes back with a bang — his looks contributing largely to that. “It’s in the title, Return of Xander Cage, so I really had to respect that and I thought this is a fun action movie and I don’t want to get too serious," costume designer Kim Tillman tells EW.


The washington postWhy that big ‘Underground’ reveal is such a powerful statement

Karyn Wagner, the costume designer for “Underground,” said the character’s pregnancy fit with a theme the show established early on: hiding in plain sight. The escaped slaves must constantly evade catchers, but one of the few advantages they have is that most people don’t know what they look like. 

geektown: Interview with Composer Nathan Barr

Emmy-nominated composer Nathan Barr has received critical acclaim for his unmatched versatility, incorporating eclectic instruments from music cultures across the world. He is currently scoring the 5th season of award-winning series ‘The Americans’ starring Keri Russell and Matthew Rhys, for which Nathan received an Emmy nomination for Outstanding Original Main Title Theme Music. 

Fashionista: THE FASCINATING PROCESS BEHIND HOW BROADWAY'S MOST SPECTACULAR COSTUMES ARE MADE featuring clint ramos & Paloma young

Wardrobe can magically transform in an instant for a gasp-inducing, live action, climactic reveal. But there's another reason that the venerable art form — be it on- or off-Broadway — is so special: the costumes. And the wardrobe on stage does so much more than just help tell the story. 


Screen RantGame of Thrones Season 7 Effects Are Bigger & More Visually Complex

We spoke with Rhythm & Hues visual effects supervisor Derek Spears, who has not only worked on Game of Thrones and Black Sails but also has credits on X-Men: Days of Future Past, R.I.P.D., Superman Returns, and Daredevil

GQ: How Hacksaw Ridge Re-created One of World War II's Bloodiest Battles

For Hacksaw Ridge, Barry Robison was instrumental in helping determine the aesthetic shifts between the film's three distinct segments—Doss growing up in Virginia, his training in boot camp, and the final stretch staring down the titular ridge—but it's that last section that will stick out in the memory of anyone who sees Hacksaw Ridge

screen anarchy: Eye for an Eye: Henrietta Review

kImagine if you combined the brutal supernatural horror of Lucio Fulci, with the colorful neo-noir style of Micheal Mann, adding a healthy dose of 70’s Giallo for good measure. The result would probably be something close to Eye for an Eye: Henrietta, the new short film from USC MFA alum, writer/director Elia Petridis.


GlamourDress Like Olivia Pope With These Wardrobe Hacks From Scandal Costume Designer Lyn Paolo

Scandal costume designer Lyn Paolo takes Glamour behind the scenes of Olivia Pope’s envious wardrobe (Narciso Rodriguez! Prada! Bottega Venetta!). Watch as she gives the inside scoop on how Olivia achieves her amazing style.

ABC 20/20: The Real Designated Survivor with Production Designer Cabot McMullen

Kiefer Sutherland on Starring in ABC's Hit Show "Designated Survivor"; The Top Secret Bunkers the Government Doesn't Want You to Know About; How Poland Coped When Most of Government Was Killed in Plane Crash

Filmmaker Magazine: “You Don’t Light with Your Meter, You Light with Your Heart”: Gotham DP Crescenzo Notarile

Crescenzo Notarile earned his Emmy nomination for his work on Gotham, Fox’s origin story tracing the early days of cop Jim Gordon and the various heroes and villains that reside in the titular city. The show’s third season bows tonight.